At least you have Steve Leibmann

Wednesday was a curiously low-viewing night across all the channels with only the bafflingly popular Customs and the milquetoast Spick & Specks making any real impression on the people meters.

The popularity of Customs was perhaps helped along by yesterday’s news story about Australia’s international terminals installing those nude scanners by next year

Only a few nights into the season and already I can see a trend emerging and a problem for programmers to solve.

Young viewers are mostly gone, at least large numbers of them are using the DVR or the internet or watching cable and the digital channels (Lost’s final season premiere was top of the digital pops last night with 216,000 viewers).

The ones that are left are spread so thinly that even youth magnets like So You Think You Can Prance are finding it hard to keep a million people in front of the box for two hours.

In their place the nets are trying to pitch to older viewers, notice how almost the hot young-skewing properties on Seven and Nine have made their way to 7TWO and GO! while people stuck with analogue TV feast on a morbid diet of docu-soaps and cop shows.

Now we have the situation where two cop shows can’t exist in the same space – look at the 8.30 aud for Cold Case, a veteran show for Nine was smothered in fourth place, suffocated by the more agile Criminal Minds – itself headed for veteran status in it’s fifth season and struggling to maintain a healthy figure.

The low, low audience for sophomore doco Gangs of Oz might suggest that people are starting to tire of this real crime stuff – seriously anyone who is way into this has an entire cable channel along with numerous shows on other channels to sift through day after day – Gangs has to be pretty special to make its mark and the problem is – it has no real hook – Crime Investigation Australia the CI series which is rerun on Nine at least has Steve Leibmann.

Monsters before bedtime

Monday 4 May 2009

The final episode of Underbelly: A Tale of Two Cities last night and a massive turnout for the event, let down however by the performance of everything else around it, although Eleventh Hour won its timeslot it still lost over half the audience from the Underbelly lead in.

This raises a question – why on earth did Nine screen a double episode of Underbelly 3 weeks ago, when they could of used that first week back to debut Eleventh Hour (clear of Biggest Loser) and have an extra week next week to cement an aud for the show? Just a nonsensical decision really – and that first week back they really took a bath on the audience, only recovering to it’s median level this week.

Next Year if there is indeed, another story, I’d advise the geniuses at Nine to hold off screening it until after the Easter break to make the most of the available Audience and have an unbroken run. Also I’d advise against double-eps – you get the most bang for your buck in the 8.30 hour, which with a 2 mill aud is enough to win you the night, there’s every reason to stretch those shares out to 13 weeks rather than compress them into eleven.

Also for f***’s sake next year figure out what you want to do with the 9.30 hour before you bow – this year was a dog’s breakfast, Ladette to Lady (a completely unrelated reality skein), Crime Investigation Australia (a Cable repurposing) and now Eleventh Hour (should have put it here from the start)

The new Nine 7.30 hour reality skeins are not as popular as that Custom Mash-Up that preceded them with Ten actually winning the 7.30 hour with a great debut aud for The Recruits, which along with Masterchef was their bright spot for the night.

The return of Supernatural, though, was less lively, managing only a paltry 633,000. The problem for Supernatural is pretty simple really in my estimation – it’s aimed squarely at teenagers most of whom probably have to be at school the next day and therefore can’t stay up to watch it.

The other point is it’s a genre show, mixing sci-fi and horror. We’ve seen year after year high-concept shows thriving at 8.30 (think Lost, 24, Prison Break, Heroes, yes Supernatural, Charmed) and the second they’re moved to 9.30 the audience dwindles, Supernatural is the only one here holding onto a 9.30 slot by the skin of its teeth!

So what kind of shows are suitable for 9.30? Well lets look at what works, procedurals – Lie to Me, NCIS, Criminal Minds, Cold Case, Bones, CSI Miami, light entertainment – The Footy Show, Enough Rope, 20 to 01, and soaps like All Saints, even Brothers and Sisters looks respectable this week!

Essentially I don’t think these kinds of shows work at 9.30 – Ten has the perfect out, they can swap GNW with Supernatural, that will give more people the chance to catch GNW (getting it out of the way of Desperate Housewives and Four Corners) and give the kids a chance to watch Monsters before bedtime!

Auntie takes a beating - Monday 9 March 2009

Another Monday, another large body count and another channel nine victory.

Underbelly actually grew week on week by another 34,000 viewers while Desperate Housewives dropped by 39,000! Meanwhile timeslot also-ran Good News Week built an extra 44,000 people onto its base registering over the 800,000 mark and back out of danger, 4 corners was hit hard with 85,000 viewers tuning out week on week.

In fact the ABC has taken quite a pummelling on Monday nights in recent weeks – especially considering their relative strength last year, case in point is 9.30pm:

There were more people watching TV at 9.30 last night than were watching at the comparable hour last week, Brothers & Sisters was up 22,000 viewers, Crime Investigation Australia lifted a whopping 193,000 week on week (the night’s best improver) and a rerun of NCIS brought an additional 149,000 people who couldn’t be stuffed with Dexter the previous week, yet ABC’s 9.30 entry – The Cut actually lost 81,000 viewers week on week??? This is after losing 83,000 viewers the previous week – there’s not a lot of people left to lose here!

Now I haven’t seen it so I cannot judge whether it’s a turkey or not, but bleeding viewers at a regular rate is not exactly a vote of confidence.

In fact thinking about it – I don’t even know what its about, I’ve never seen a promo and I watch the ABC sometimes for 7.30 report and Lateline - perhaps the ABC’s lack of in-show breaks is hurting their ability to promote new shows, we’ve become so trained to hit the remote the moment a program finishes that we no longer stick around for the coming attractions.

I watch even less SBS but I can tell you more of what they have on just by virtue of promos during the programs. Sounds like a tricky problem for the ABC for the years to come.

Monday 3 March 2009

Viewing on the whole was down on last Monday night with the biggest week on week hit going to Nine’s 9.30 hour which sunk, last week Nine followed their megahit Underbelly with a rebroadcast of the Oscar ceremony, this week forced to find a suitable lead-out for the country’s number one show they settled on Crime Investigation Australia, a doco series repurposed from the Crime & Investigation channel.

At first glance you would think that a true crime documentary would be a perfect fit with a true crime drama but it seems that it isn’t, the doco lost a whopping 1.161 million viewers (51.99%) from it’s lead in.

You would also think that Nine would want to use the most valuable real-estate on television right now to promote something that would continue on after the first 12 weeks of the season, what that would be exactly is unclear, the channel nine vault doesn’t seem to be bursting with hidden treasures lately.

Seven’s Brothers and Sisters got the predictable lift with the female skewing Oscars out of the way, while other 9.30 entries stagnated, The Cut can be considered a flop and Dexter, why Ten is persisting with this when surely there is an audience for them at 9.30, especially considering the sub-par competition, is beyond me. Call me crazy but if the mass-audience dropped Lost, Heroes and Prison Break, what makes Ten think they’ll pick up a violent, adults only serial a year into the storyline?

Some good news for Ten was that Neighbours gained while both it’s current affair competitors lost audience in the 6.30pm slot with ACA down 93,000 and Today Tonight down 121,000 – Neighbours was up 72,000 viewers and is tantalisingly close to that million mark – perhaps old Harold was holding them back!

So You Think You Can Dance appears to have fallen into a similar patters as Australian Idol last season where the Sunday show posts an acceptable figure of 1.2 – 1.3 million and the results show hovers around the 900,000 mark – given that this seems to be the pattern Ten needs to shake this up when Idol rolls around – maybe move the results show back a day or two (probably Wednesday their other struggling night) this would clear the decks and give ten the chance to develop something substantial for Mondays which could carry through the whole year, if they were game.

Meanwhile How I Met Your Mother seems to have also settled around the 900k mark which is not a disaster by any means but with Seven blowing two new eps a week they’ll run out of fresh stock before Nine run out of Sheen, that would be a massive miscalculation on Seven’s part – find a show to go at 7.30 and save the new Mother ep for 8pm, moving it out of the way of it’s main competitor – I guarantee it’s figures will look healthier – in fact I wager that if Seven split their reporting into two half hour eps we would probably see an improvement between ep 1 and ep 2.

Its baaaack - Monday 19 January 2009

As you would expect channel Seven romped it in on Monday night with the Tennis posting a very decent opening night rating for the network. This two weeks is seven’s turn at sporting dominance – couching their news in wall to wall tennis coverage and delivering a guaranteed audience to Home & Away for it’s first two weeks back.

Indeed Home & Away’s ratings marked a solid improvement over How I Met Your Mother reruns and put the show well ahead of it’s 7pm competition with Temptation taking the biggest hit to the groin.

Another phenomenon when one net has sport, is that other shows can unexpectedly benefit, here the main benefactors were The Big Bang Theory (up 169,000) and Crime Investigation Australia (up 135,000)

The Simpsons proved it still has devotees pushing the 6pm slot over the 500k mark for Ten for the first time in weeks and Neighbours got off to a solid start (742,000) though this decent effort was undone by every successive show on the lineup with a little known movie, The Contender, dragging Ten into SBS territory.

TV After People – Thursday 27 November 2008

For a real demonstration of what happens when all the people desert television then check back on Friday night’s ratings, last night there were still a few folks around though – with a fair few of them watching what would happen to the earth if we all died (Yehaah!)

Of course with a choice between one of the fairy floss E! specials on teenage celebrities vs a decrepit travel infomercial you can see how people made their choice. Because the Seven special (originally from the US History Channel) went for 90 minutes every other slot looks out of whack on this chart!

Nine went to cable for their 8.30 hour with a “new” (for FTA only viewers) Crime Investigation Australia, this series is the flagship of CI: The Crime & Investigation Network, which has been one of Pay TV’s most successful channels climbing up the ranks to become one of the most watched despite being offered on a discretionary tier by most providers.

The strong performance by CI put the hurt on Criminal Intent’s season finale – slightly dampening an otherwise stellar season, the show will continue in reruns over summer along with stable mate SVU.

Heroes did the best of the late night shows despite not starting until 11pm, although all shows were down on last weeks numbers.